5 easy ways to create narrative images5 easy ways to create narrative images https://www.visualstorytell.com/wp-content/uploads/2017/03/narrative_images_thumb.jpg 369 217 Shlomi Ron Shlomi Ron https://secure.gravatar.com/avatar/906bcce31d9695cb030087534b5f0f6e?s=96&d=mm&r=g
You’re probably wondering what’s the backstory of the above image?
Before we get to the backstory, this image offers an excellent example to demonstrate how our “visual storytelling mind” works. Images are today’s lingua franca of visual communications. According to Hootsuite, “Instagram users have shared over 40 billion photos to date and share an average of 95 million photos and videos per day.” So knowing how to create images with compelling narratives is crucial to stand out from the crowd.
We naturally look at static photos in the present time and see them as time capsules of an event that took place in the past. According to Storytelling Advertising – a Visual Marketing Analysis by Sarah Elise Väre, there are four types of storytelling pictures:
“The past group shows the ending of a story, the present group the middle, and the future group the beginning. The all-tenses group shows both the beginning, the middle, and the end of a story.”
However, not all photos are so clear cut like the one we see above. Since we are constant seekers of meanings, we’re all players in our own movies where we play the hero, the director, the cameraman and most importantly the editor – then we edit what we see in order to create meanings that fit with our internal narratives and beliefs. Such editing work could play with the narrative timeline back and forth until landing on a story we find personally meaningful. Here is how it could be played out, by labeling this image under:
a) The Past Group
Because it represents late afternoon capture, showing the workers resting after a long and eventful day of working on the bridge > a resolution of the story.
b) The Present Group
Because the photo was taken in the morning, the workers just woke up a half hour ago (the past), judging by the Oats box on the rail and one of the workers with a towel on his shoulder. They stopped for a quick photo before leaving for another day of work (the future).
c) The Future Group
Because this image simply shows the beginning of their one-hour mid-day break. That’s why you see one of the workers holding his tools and another playing with his cat. They’ve got 10 minutes left before getting back to work where one of them will be reassigned to another role he’d hate (conflict or story middle), but after working with his new mates will result in acceptance (resolution > future).
And now that we individually covered each tense, you could imagine how an all-tenses picture would look like, by extenuating the narrative clues into a coherent visual event, almost like in a comic strip experience.
What story do you see in this photo?
As for the larger backstory? Oh yes, I took this photo while touring the small museum on Pigeon Key, FL, which is part of the scenic Florida keys. Back in 1910, Pigeon Key, FL (size: only 5 acres) hosted 400 workers that were building the Key West Railroad extension – 8th wonder of the world – on $1.5 a day. Work on the line started in 1905 and it operated from 1912 to 1935, when a part of the bridge was destroyed by a hurricane. Henry Flagler financed the entire project for $50M.
In summary, you can follow these five easy steps to create compelling narrative images. Just to caveat, the narrative images we’re talking about are ideally those you plan in advance vs. the ones you spontaneously take as they allow you more control:
1) Plan your story
Come up with the story (setting, conflict, and resolution) your audience truly cares about.
2) Select your storytelling picture type
As outlined above there are 4 types of narrative pictures, select the one you want to focus on and emphasize 1-2 narrative clues (e.g., time of day, salient accessories, the interaction between characters shown etc.) that will help your viewers conjure the right story.
3) Add captions and hashtags
There are 2 types of captions: a) Descriptive: Where the caption literally describes what happens in the image and b) Inferential: Where the caption uses the image as a springboard to convey a larger single idea. On VSI’s Instagram, we typically use the latter as it allows us to vividly amplify the power of the visual to support a larger visual storytelling principle we’re looking to relay. Lastly, research what hashtags resonate the most with your audience along with what top influencers in your space are using – and integrate them into the caption second half. Leave your opening caption without hashtags so it’s easy to read.
4) Select your target emotion
According to Fractl’s study “The Role of Emotions in Viral Content,” the most impactful recipes include:
- Positive emotions along with surprise were found to result in massive shares
- Pair ‘low-arousal’ emotions (sadness, relaxation, and depression) with admiration or surprise
- Play up high-arousal emotions (anxiety, anger, and excitement) in unsurprising, negative content.
Learn more about the role of emotions in visual storytelling.
5) Test your picture
Create several executions of your picture and test them with your colleagues. You’ll often discover that the story you had in mind may be a bit different, which means you need to further amplify your narrative clues.
More about What Makes a Photo Tell a Story? Check out my conversation with Jaime Permuth, an award-winning photographer, on the Visual Storytelling Today podcast.
Need help developing effective narrative images in support of your visual storytelling strategy?
Feel free to call me 305-985-3450 or email me shlomi_at_visualstorytell_dot_com
Shlomi Ron is the CEO of the Visual Storytelling Institute (VSI), the primary think tank that brings the gospel of visual storytelling from the world of art into marketing. AT VSI, Shlomi helps brands rise above the communication noise through visual storytelling consulting, training, production, and thought leadership. A digital marketing veteran with over 20 years of experience working both on the agency and brand sides for Fortune 100/500 brands such as Nokia, IBM, and American Express. Along his journey, he was nursing his side passion for visual media with interests in classic Italian cinema (cafePellicola.com) and video art (BukySchwartz.com). Thought leader and speaker at key marketing conferences. He is also the host of the Visual Storytelling Today podcast that ranks the best 20 business storytelling podcasts on the Web. Shlomi's new book: Total Acuity: Tales with Marketing Morals To Help You Create Richer, Visual Brand Stories. His favorite quote: "A story is nothing but a mirror. The magic happens the moment your brand story mirrors your customer’s personal story." Outside work, he is a nascent bread baker, The Moth fan, and longtime fedora wearer likely to jive with his classic Italian cinema interest.All stories by: Shlomi Ron
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